{"id":89,"date":"2014-09-09T08:29:34","date_gmt":"2014-09-09T08:29:34","guid":{"rendered":"http:\/\/www.danamarouf.com\/se\/?page_id=89"},"modified":"2021-12-23T15:46:45","modified_gmt":"2021-12-23T15:46:45","slug":"bok","status":"publish","type":"page","link":"https:\/\/www.danamarouf.com\/se\/bok\/","title":{"rendered":"B\u00f6cker"},"content":{"rendered":"<p><strong>Utgivna b\u00f6cker p\u00e5 kurdiska:<\/strong><\/p>\n<p>Mina b\u00f6cker p\u00e5 kurdiska mellan \u00e5ren 1988\u20132021:<\/p>\n<hr \/>\n<p><strong>2021<\/strong><\/p>\n<ul>\n<li>Sista stationen. Dramatik. Keper bokf\u00f6rlag, Kurdistan.<\/li>\n<li>Samuel Beckett och den absurda teatern. Keper bokf\u00f6rlag, Kurdistan.<\/li>\n<li>Sk\u00e4rvor av teater. Ess\u00e4samling. Keper bokf\u00f6rlag, Kurdistan.<\/li>\n<\/ul>\n<p><strong>2020<\/strong><\/p>\n<ul>\n<li>Strindberg, en litter\u00e4r biografi, Rahand bokf\u00f6rlag, andra upplagan, Kurdistan.<\/li>\n<li>Det m\u00f6rknade utan att vi m\u00e4rkte n\u00e5got. Dramatik. Mang bokf\u00f6rlag. Andra upplagan.<\/li>\n<li>Som livet \u00e4r d\u00e4r. Trilogi. Dramatik. Sardam bokf\u00f6rlag, Kurdistan.<\/li>\n<li>Antonin Artaud och Grymhetens teater. Sardam bokf\u00f6rlag, Kurdistan.<\/li>\n<li>Resa och teater. Keper bokf\u00f6rlag, Kurdistan.<\/li>\n<li>Vindens ber\u00e4ttelse. Dramatik. Keper bokf\u00f6rlag, Kurdistan.<\/li>\n<\/ul>\n<p><strong>2019<\/strong><\/p>\n<ul>\n<li>Annat liv. Diktsamling. Balinde Publishing House.<\/li>\n<li>Det m\u00f6rknade utan att vi m\u00e4rkte n\u00e5got. Dramatik. Godotf\u00f6rlaget.<\/li>\n<li>Anton Tjechov, fr\u00e5n Platonov till K\u00f6rsb\u00e4rstr\u00e4dg\u00e5rden, Mang bokf\u00f6rlag. Andra upplagan.<\/li>\n<\/ul>\n<p><strong>2018<\/strong><\/p>\n<ul>\n<li>Ett \u00e5r med min dotter. Sardam bokf\u00f6rlag, Kurdistan.<\/li>\n<li>Du och jag med vinden. Dramatik. Sardam bokf\u00f6rlag, Kurdistan.<\/li>\n<li>Ett dr\u00f6mspel. Modernismen i svensk och europeisk teater, Sardam bokf\u00f6rlag, Kurdistan.<\/li>\n<\/ul>\n<p><strong>2017\u00a0\u00a0<\/strong><\/p>\n<ul>\n<li>Anton Tjechov, fr\u00e5n Platonov till K\u00f6rsb\u00e4rstr\u00e4dg\u00e5rden, Sardam bokf\u00f6rlag.<\/li>\n<\/ul>\n<p><strong>2016\u00a0\u00a0 \u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0<\/strong><\/p>\n<ul>\n<li>Teaterprocessen fr\u00e5n teori till praktik, Sardam bokf\u00f6rlag, Kurdistan.<\/li>\n<li>Lars Nor\u00e9n, den borgerliga familjens f\u00f6rfall, Sardam bokf\u00f6rlag, Kurdistan.<\/li>\n<\/ul>\n<p><strong>2015 \u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0<\/strong><\/p>\n<ul>\n<li>Teaterregins teoretiska utveckling, Sardam bokf\u00f6rlag, Kurdistan.<\/li>\n<li>Harold Pinter, politisk teater och maktspel, Sardam bokf\u00f6rlag, Kurdistan.<\/li>\n<li>Jean Genet \u2013 legender och verklighet, Jamal Irfan bokf\u00f6rlag, Kurdistan.<\/li>\n<\/ul>\n<p><strong>2014<\/strong><\/p>\n<ul>\n<li>Strindberg, en litter\u00e4r biografi, Sardam bokf\u00f6rlag, Kurdistan.<\/li>\n<li>Gr\u00e4ns\u00f6verg\u00e5ngar, en reseskildring bland st\u00e4der och teatrar, Jamal Irfan bokf\u00f6rlag, Kurdistan.<\/li>\n<\/ul>\n<p><strong>2013\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0<\/strong><\/p>\n<ul>\n<li>Den tomma spelplatsen, en ny teaterv\u00e4g, Sardam bokf\u00f6rlag, Kurdistan.<\/li>\n<\/ul>\n<p><strong>2010\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0<\/strong><\/p>\n<ul>\n<li>Teater i Sverige, andra upplagan, Shano bokf\u00f6rlag, Kurdistan.<\/li>\n<li>Fr\u00e5n klassisk dramatik till modern, Ranj bokf\u00f6rlag, Kurdistan.<\/li>\n<\/ul>\n<p><strong>2009\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0<\/strong><\/p>\n<ul>\n<li>Harold Pinters liv och teater (biografi), Shano bokf\u00f6rlag, Kurdistan.<\/li>\n<\/ul>\n<p><strong>2006\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0<\/strong><\/p>\n<ul>\n<li>Teater i Sverige, Aras Press bokf\u00f6rlag, Kurdistan<\/li>\n<\/ul>\n<p><strong>2003\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0<\/strong><\/p>\n<ul>\n<li>Peter Brook i den moderna teatern, Gnistor bokf\u00f6rlag, Sverige<\/li>\n<\/ul>\n<p><strong>2001\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0<\/strong><\/p>\n<ul>\n<li>Sp\u00f6ksonaten fr\u00e5n Max Reinhart till Ingmar Bergman, Sardam bokf\u00f6rlag, Kurdistan<\/li>\n<li>Sp\u00f6ksonaten fr\u00e5n Max Reinhart till Ingmar Bergman, Gnistor-Internationella svenska teatern med st\u00f6d fr\u00e5n Strindbergs s\u00e4llskapet. Andra upplagan, Sverige.<\/li>\n<\/ul>\n<p><strong>1995\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0<\/strong><\/p>\n<ul>\n<li>Den talande bilden (om kurdisk experimentell teater), eget f\u00f6rlag, Sverige.<\/li>\n<\/ul>\n<p><strong>1988\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0<\/strong><\/p>\n<ul>\n<li>Grymhetens teater mellan teori och praktik (om Artaud) eget f\u00f6rlag, Kurdistan<\/li>\n<\/ul>\n<p><strong>P\u00e5 svenska: <\/strong><\/p>\n<ul>\n<li>Tillst\u00e5nd och tillblivelse, L\u00e5ng dags f\u00e4rd mot natt fr\u00e5n kollationering till f\u00e4rdig f\u00f6rest\u00e4llning, Carlssons f\u00f6rlag<\/li>\n<\/ul>\n<p><strong>2006\u00a0\u00a0 \u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0<\/strong><\/p>\n<ul>\n<li>Annat liv, dikter, pionier press<\/li>\n<\/ul>\n<p><strong>\u00d6vers\u00e4ttningar fr\u00e5n svenska till kurdiska-sorani<\/strong><\/p>\n<p><strong>2011\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0<\/strong><\/p>\n<p>\u00d6vers\u00e4ttning av Lars Nor\u00e9ns Terminalpj\u00e4ser;<\/p>\n<ul>\n<li>Terminal 3, Aras Press, bokf\u00f6rlag, Kurdistan<\/li>\n<li>Ett gr\u00e5tt rum, Aras Press, bokf\u00f6rlag, Kurdistan<\/li>\n<li>Terminal 11 Skalv, Aras Press, bokf\u00f6rlag, Kurdistan<\/li>\n<\/ul>\n<p><strong>2010<\/strong><\/p>\n<ul>\n<li>\u00d6vers\u00e4ttning av pj\u00e4sen China av Erik Uddenberg, Aras Press, bokf\u00f6rlag, Kurdistan<\/li>\n<\/ul>\n<p><strong>2007\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0<\/strong><\/p>\n<ul>\n<li>\u00d6vers\u00e4ttning av Lars Nor\u00e9ns Tyst musik till kurdiska, Aras Press, bokf\u00f6rlag, Kurdistan<\/li>\n<\/ul>\n<hr \/>\n<h4><strong>Tillst\u00e5nd och tillblivelse : L\u00e5ng dags f\u00e4rd mot natt &#8211; fr\u00e5n kollationering till f\u00f6rest\u00e4llning<\/strong><\/h4>\n<ul>\n<li><a href=\"http:\/\/www.danamarouf.com\/se\/wp-content\/uploads\/2014\/09\/tillstandOtillblivelse.jpg\"><img loading=\"lazy\" decoding=\"async\" class=\"alignright wp-image-75 size-medium\" src=\"http:\/\/www.danamarouf.com\/se\/wp-content\/uploads\/2014\/09\/tillstandOtillblivelse-211x300.jpg\" alt=\"tillstandOtillblivelse\" width=\"211\" height=\"300\" srcset=\"https:\/\/www.danamarouf.com\/se\/wp-content\/uploads\/2014\/09\/tillstandOtillblivelse-211x300.jpg 211w, https:\/\/www.danamarouf.com\/se\/wp-content\/uploads\/2014\/09\/tillstandOtillblivelse-260x369.jpg 260w, https:\/\/www.danamarouf.com\/se\/wp-content\/uploads\/2014\/09\/tillstandOtillblivelse-160x227.jpg 160w, https:\/\/www.danamarouf.com\/se\/wp-content\/uploads\/2014\/09\/tillstandOtillblivelse.jpg 352w\" sizes=\"auto, (max-width: 211px) 100vw, 211px\" \/><\/a>F\u00f6rfattare: <strong>Dana Marouf<\/strong><\/li>\n<li><span class=\"textmid\">Utgiven. <strong>2008-03.<\/strong><\/span><\/li>\n<li>Utgivar:\u00a0<strong>Carlsson<\/strong><\/li>\n<li>Genre:\u00a0 <strong>Konst<\/strong><\/li>\n<li>ISBN 9173311561 \/ 91-7331-156-1<\/li>\n<li>EAN 9789173311564<\/li>\n<\/ul>\n<p style=\"text-align: justify;\"><span class=\"headmid\">F\u00f6rlagets beskrivning: <\/span>&#8220;Som teaterpublik reflekterar man s\u00e4llan \u00f6ver den konstn\u00e4rliga arbetsprocess som leder fram till en f\u00e4rdig f\u00f6rest\u00e4llning. Hur alla delar och detaljer fogas samman, hur ideer och uttryck pr\u00f6vas och f\u00f6rkastas, utvecklas och f\u00f6rfinas. Sk\u00e5despelarkonst och teknikaliteter, visioner och praktisk verklighet, ljus och ljud, form och inneh\u00e5ll. Dana Marouf var regiassistent \u00e5t Stefan Larsson vid upps\u00e4ttningen av Eugene O&#8217;Neills L\u00e5ng dags f\u00e4rd mot natt p\u00e5 Dramatens stora scen. Han f\u00f6rde dagboksanteckningar under repetitionerna, vilka nu kan l\u00e4sas som en insider-dokumentation&#8221; skriver Karin Helander i bokens f\u00f6rord. Ett ovanligt och intressant dokument i bokform.<\/p>\n<hr \/>\n<h4><strong>\u00a0Annat Liv<\/strong><\/h4>\n<ul>\n<li><img loading=\"lazy\" decoding=\"async\" class=\"alignright wp-image-99 size-medium\" src=\"http:\/\/www.danamarouf.com\/se\/wp-content\/uploads\/2014\/09\/annatliv-184x300.jpg\" alt=\"Annat liv_omslag_orig.indd\" width=\"184\" height=\"300\" srcset=\"https:\/\/www.danamarouf.com\/se\/wp-content\/uploads\/2014\/09\/annatliv-184x300.jpg 184w, https:\/\/www.danamarouf.com\/se\/wp-content\/uploads\/2014\/09\/annatliv-554x900.jpg 554w, https:\/\/www.danamarouf.com\/se\/wp-content\/uploads\/2014\/09\/annatliv.jpg 1300w\" sizes=\"auto, (max-width: 184px) 100vw, 184px\" \/>F\u00f6rfattare: <strong>Dana Marouf<\/strong><\/li>\n<li>Spr\u00e5k: <strong>Svenska<\/strong><\/li>\n<li>Utgiven: <strong>2006-09<\/strong><\/li>\n<li>Formgivare: <strong>Arina Stoenescu<\/strong><\/li>\n<li>Fotograf: <strong>Petter L\u00f6fstedt<\/strong><\/li>\n<li>ISBN: 9789163188015<\/li>\n<li>F\u00f6rlag:<strong> pionier press<\/strong><\/li>\n<li>Upplaga: 1<\/li>\n<li>Antal\u00a0sidor:<strong> 96 sidor<\/strong><\/li>\n<li>Vikt: <strong>90 gram<\/strong><\/li>\n<\/ul>\n<p>&nbsp;<\/p>\n","protected":false},"excerpt":{"rendered":"<p>Utgivna b\u00f6cker p\u00e5 kurdiska: Mina b\u00f6cker p\u00e5 kurdiska mellan \u00e5ren 1988\u20132021: 2021 Sista stationen. Dramatik. Keper bokf\u00f6rlag, Kurdistan. Samuel Beckett och den absurda teatern. Keper bokf\u00f6rlag, Kurdistan. Sk\u00e4rvor av teater. Ess\u00e4samling. Keper bokf\u00f6rlag, Kurdistan. 2020 Strindberg, en litter\u00e4r biografi, Rahand bokf\u00f6rlag, andra upplagan, Kurdistan. Det m\u00f6rknade utan att vi m\u00e4rkte n\u00e5got. Dramatik. Mang bokf\u00f6rlag. Andra [&hellip;]<\/p>\n","protected":false},"author":1,"featured_media":0,"parent":0,"menu_order":0,"comment_status":"closed","ping_status":"closed","template":"","meta":{"footnotes":""},"class_list":["post-89","page","type-page","status-publish","hentry"],"_links":{"self":[{"href":"https:\/\/www.danamarouf.com\/se\/wp-json\/wp\/v2\/pages\/89","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.danamarouf.com\/se\/wp-json\/wp\/v2\/pages"}],"about":[{"href":"https:\/\/www.danamarouf.com\/se\/wp-json\/wp\/v2\/types\/page"}],"author":[{"embeddable":true,"href":"https:\/\/www.danamarouf.com\/se\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/www.danamarouf.com\/se\/wp-json\/wp\/v2\/comments?post=89"}],"version-history":[{"count":18,"href":"https:\/\/www.danamarouf.com\/se\/wp-json\/wp\/v2\/pages\/89\/revisions"}],"predecessor-version":[{"id":197,"href":"https:\/\/www.danamarouf.com\/se\/wp-json\/wp\/v2\/pages\/89\/revisions\/197"}],"wp:attachment":[{"href":"https:\/\/www.danamarouf.com\/se\/wp-json\/wp\/v2\/media?parent=89"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}